Even for the heroine of a novel of violence in the heyday of the genre, she was experienceprone to an unusual degree: Between the time she slipped off the train at Taylor and the time she was to be seen yawning at the watery charms of the Luxembourg Gardens on a wet autumn day, a good deal had happened to her. Faulkner's new offering, Requiem for a Nun, is in the main a sequel to Sanctuary, and is concerned with the further misadventures of Temple Drake, a tomboy whose qualities have always had an unsettling effect on her creator. “Requiem for a Dramatist.” New Yorker, September 22, 1951, pp.
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